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The references I can no longer make

8 min readJun 18, 2026

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A working sketch of the essay’s concepts: citing from a source, the inputs and outputs of an unfinished self, immune sensors that respond or no longer respond, things that are still mine but no longer separate from me.
Picture by the author (Hiroshi Sato)

I started writing in English not long ago — for the first time in my life — and found myself in a place where the culture around references is carefully kept. When you say something here, it matters to show where it came from. You place your own thought inside a wider conversation, and you name the people whose work you are standing on; by naming them, you also hand something back to that conversation.

When I first met this practice, it felt as though I had come upon something beautiful. To cite is to bring back, briefly, to the surface, the wisdom that has sunk to the bed of flowing time and become its foundation. And to make your own footing visible, so that a reader can test it, follow it back, and go further than you did, or in a slightly different direction — that is how it felt. I wanted to become someone who could give something back to this culture, and I still do.

And then, trying to do exactly that, I ran into a strange sensation.

The thing I could not cite

It happened in a small, practical way. I was writing a paragraph, and I wanted to add a reference — to be honest about where…

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Ten minutes on something slightly interesting. Collecting angles that make familiar things look strange again. A designer & humanities learner in Japan.

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Philosophy Today is dedicated to current philosophy, logic, and thought.