George Tzanetakis·Oct 15ICMC and me at 50My personal history and connections to Computer MusicA response icon3A response icon3
George Tzanetakis·Sep 20A music and sound exposition of the Discrete Fourier Transform (Part 9)Hilbert spaces, windowing, and zero-paddingA response icon2A response icon2
George Tzanetakis·Sep 8A music and sound exposition of the Discrete Fourier Transform (Part 8)Phasors or the value of thinking in circlesA response icon4A response icon4
George Tzanetakis·Sep 7A music and sound exposition of the Discrete Fourier Transform (Part 7)Complex number notationA response icon1A response icon1
George Tzanetakis·Sep 5A music and sound exposition of the Discrete Fourier Transform (Part 10)Resources for further learningA response icon1A response icon1
George Tzanetakis·Aug 27A music and sound exposition of the Discrete Fourier Transform (Part 6)Spectral Processing, Spectra, and SpectrogramsA response icon1A response icon1
George Tzanetakis·Aug 24A music and sound exposition of the Discrete Fourier Transform (Part 5)Implementing the Discrete Fourier Transform
George Tzanetakis·Aug 20A music and sound exposition of the Discrete Fourier Transform (Part 4)Building a analysis/re-synthesis transform out of basis/probe pairs
George Tzanetakis·Aug 13A music and sound exposition of the Discrete Fourier Transform (Part 3)Dealing with time and phase
George Tzanetakis·Aug 12A music and sound exposition of the Discrete Fourier Transform (Part 2)Estimating amplitude of sinusoids in interference
