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Indie Rock Writing

Reviews, retrospectives, and discussions of artists and albums across indie rock's past and present.

Artist Profiles and Retrospectives

Contemporary Album Reviews

Popular this week

Gabriel Paiva

Suki Waterhouse’s “Tiny Raisin” is the Antidote to Sad-Girl Nihilism

In

Rock n’ Heavy

by

Austin Ries

Is It Ever OK for a Grown Man to Cry at a Music Festival? An Investigation.

FreshAmount

The Mystery Machine Never Really Stopped Running

Carldexterwrites

My Dad is Dead might sound like a provocative name, but for Mark Edwards, it was his way of dealing…

In

Rock n’ Heavy

by

Loren Kantor

The Rise and Fall of MP3 Music Blogs

Latest stories

In

Sonic Pulse Reviews

by

John Parker

SKORTS Play Loud and Dream Soft on ‘Muse and the Marquee’

Natsumi Goto

To Push You Off a Cliff from the Very First Track — A Commentary on the Title of Our New Album…

In

The Riff

by

Nick Eustis

Album Review | ‘Reality Awaits’ by The Strokes

In

Rock n’ Heavy

by

Austin Ries

Is It Ever OK for a Grown Man to Cry at a Music Festival? An Investigation.

Maria Teresa Varas Ortiz

The 2000s Generation: How Indie Rock Stopped Looking for Heroes to Portray Our Vulnerabilities

See more stories

Who to follow

Popular this week

Gabriel Paiva

Suki Waterhouse’s “Tiny Raisin” is the Antidote to Sad-Girl Nihilism

In

Rock n’ Heavy

by

Austin Ries

Is It Ever OK for a Grown Man to Cry at a Music Festival? An Investigation.

FreshAmount

The Mystery Machine Never Really Stopped Running

Carldexterwrites

My Dad is Dead might sound like a provocative name, but for Mark Edwards, it was his way of dealing…

In

Rock n’ Heavy

by

Loren Kantor

The Rise and Fall of MP3 Music Blogs

Latest stories

In

Sonic Pulse Reviews

by

John Parker

SKORTS Play Loud and Dream Soft on ‘Muse and the Marquee’

Natsumi Goto

To Push You Off a Cliff from the Very First Track — A Commentary on the Title of Our New Album…

In

The Riff

by

Nick Eustis

Album Review | ‘Reality Awaits’ by The Strokes

In

Rock n’ Heavy

by

Austin Ries

Is It Ever OK for a Grown Man to Cry at a Music Festival? An Investigation.

Maria Teresa Varas Ortiz

The 2000s Generation: How Indie Rock Stopped Looking for Heroes to Portray Our Vulnerabilities

See more stories

Who to follow