ram·Oct 21HarishchandaraHarishchandara (1955) occupies a noteworthy place in the formative annals of Malayalam cinema, presenting a mythological narrative built…
R S Krishna·Oct 14The Curious Realism of Bethlehem Kudumba UnitMalayalam cinema shines and an otherwise warm film, Bethlehem Kudumba Unit could have been so much better
ram·Oct 3PonkathirThere are films that survive because they remain masterpieces, and there are films that survive because they tell us where a particular…
Arun Joshi·Sep 25Mammooty: The Living Legend4th National Award के लिए बहुत-बहुत बधाई, Mammootty! Bramayugam के लिए यह सम्मान मिलते देख खुशी इसलिए भी हो रही है क्योंकि इन दिनों मैं खुद…
ram·Sep 17Oru Durooha SaahacharyathilRatheesh Balakrishnan Poduval’s Oru Durooha Saahacharyathil is the sort of Malayalam film that resists the consolations of a single genre…A response icon1A response icon1
ram·Sep 11MurapennuThere are films that belong to their time, and there are films that help define the time to which they belong. A. Vincent’s Murappennu…
ram·Aug 21Odayil NinnuK. S. Sethumadhavan’s Odayil Ninnu (1965) is one of those Malayalam films whose stature seems to increase rather than diminish with the…
Adira K·Jul 12Perfection Didn’t Destroy Him—His Ego Did: My Reading of Mollywood TimesA reflection on artistic integrity, responsibility, and the danger of believing a creator owns a dream forever.
