ram·Oct 25Hirak Rajar DesheFew filmmakers have demonstrated with the effortless virtuosity of Satyajit Ray that a fairy tale can simultaneously enchant the…
Amit Amitsinha·Oct 11When the Idealism Slips on a Banana Peel: Satyajit Ray’s Jana Aranya and the Quiet Commerce of…How a 1970s Calcutta graduate’s ordinary compromises became one of Indian cinema’s most enduring diagnoses of urban survival
InILLUMINATIONbyRishi Raj·Oct 5No Director Understood Naturalism and Realism Like Satyajit RayBengali parallel cinema produced several extraordinary filmmakers, but for me, nobody understood the boundary between realism, naturalism…
Debayan saha·Sep 12What is wrong with Indian cinema?I don’t know how to explain this film. I don’t think it is even possible for me to rate it using any rating system. I watched it exactly…
nehal·Sep 5How Satyajit Ray Wrote Women Beyond The Male Gaze; The Indian Auteur Who Taught The World About…What Does It Mean When a Woman Can See the World But Cannot Enter It?
Aaishh·Aug 30Ray’s Quiet RevolutionWalk into a multiplex today and the trailers alone will tell you what cinema currently believes about itself. Quick cuts, swelling music, a…
InKomunitas Blogger Mbyraina j·Jul 29Charulata: Kapan Cinta Membebaskan dan MemenjarakanKritik film ‘Charulata’ karya Satyajit Ray (1964)
Insubtext by awediencebyawedience·Jul 26Two Boys, No Words: What Satyajit Ray’s “Two” (1964) Still Gets Right About UsA twelve-minute film that says more than most three-hour dramasA response icon1A response icon1
Yogeeta Mishra·Jul 10The Culture We Forgot to CelebrateHow discovering Satyajit Ray made me question what we choose to value.A response icon1A response icon1
